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Graphic novelist and filmmaker Marjane Satrapi at MOMA for a screening of her film Poulet aux Prunes (Chicken with Plums), a fanciful, elegiac love story set in 1950s Iran that moves between animation and live action. Satrapi spoke with New Yorker art editor Francoise Mouly before the screening.
Photos © PEN American Center / Susan Horgan
penlive:

Graphic novelist and filmmaker Marjane Satrapi at MOMA for a screening of her film Poulet aux Prunes (Chicken with Plums), a fanciful, elegiac love story set in 1950s Iran that moves between animation and live action. Satrapi spoke with New Yorker art editor Francoise Mouly before the screening.
Photos © PEN American Center / Susan Horgan
penlive:

Graphic novelist and filmmaker Marjane Satrapi at MOMA for a screening of her film Poulet aux Prunes (Chicken with Plums), a fanciful, elegiac love story set in 1950s Iran that moves between animation and live action. Satrapi spoke with New Yorker art editor Francoise Mouly before the screening.
Photos © PEN American Center / Susan Horgan
penlive:

Graphic novelist and filmmaker Marjane Satrapi at MOMA for a screening of her film Poulet aux Prunes (Chicken with Plums), a fanciful, elegiac love story set in 1950s Iran that moves between animation and live action. Satrapi spoke with New Yorker art editor Francoise Mouly before the screening.
Photos © PEN American Center / Susan Horgan

penlive:

Graphic novelist and filmmaker Marjane Satrapi at MOMA for a screening of her film Poulet aux Prunes (Chicken with Plums), a fanciful, elegiac love story set in 1950s Iran that moves between animation and live action. Satrapi spoke with New Yorker art editor Francoise Mouly before the screening.

Photos © PEN American Center / Susan Horgan

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