On the heels of Salman Rushdie’s appreciation of the role of storytelling in video games at PEN World Voices, here is an awesome new contest from some great NGOs.
“Liberated Pixel Cup is a two-part competition: make a bunch of awesome free culture licensed artwork, and program a bunch of free software games that use it. Hopefully many cool projects can come out of this… but that will only happen if people like you get involved!
…We think Liberated Pixel Cup is a great opportunity for the commons in many ways! Right now it’s hard to find free culture content to bootstrap games that match a consistent style and hard for artists to collaborate on such. We’re also very interested in areas where free software and free culture directly intersect, which we don’t always see enough of (and which sometimes can even get a bit complex, so it’s good to have opportunities to think about them when we can), and games are a great example of this overlap. We hope you’ll participate!”
Evangelist Mark Seated in his Study, anonymous Byzantine Empire
This spectacular image is one of 19,000 images released under a Creative Commons license by the Walters Art Museum.
“In Byzantium, the revival of classical forms during the Macedonian Renaissance briefly reinstated naturalism as an aesthetic principle. But the desire to represent things as they are in the natural world soon disappeared. In this illuminated leaf from a gospel lectionary produced in Constantinople in the second quarter of the eleventh century, the Evangelist Mark is depicted sitting at his desk, thinking. The pose replicates that commonly used in Antiquity to represent philosophers. The persistence of the ancient prototype is evident in the style of dress, which is rendered with fluid brushstrokes. Highlights pick up the play of light on the drapery folds, conveying a sense of the body underneath. On the other hand, any illusion of space is subverted by the uniform gold ground behind the Evangelist; the furniture is flattened out with no pretence of foreshortening or perspectival rendering. The supernatural status of the saint is thus reaffirmed by the unreality of his surroundings.”